Battista Sforza, Duchess of Urbino, bust 10Mio. Humanist influence is evident in the double portrait of Battista and Federico, including the triumphal processions evocative of the ancient Roman triumph on the obverse and the sharp, numismatic profiles indicative of the antique style. The Duchy of Urbino was a fief of the Holy See in central-northern Italy. Kunstdrucke und Gemälde von 30.000 berühmten Künstlern, Kunstdrucke und Gemälde nach Kunststilen & Epochen. [5], The profiles of Battista and Federico stand out among a sweeping landscape. ( Log Out /  He created the left half of the painting as a memorial for the Duchess after her death. The painting of the Duke and the Duchess of Urbino, painted by the early Renaissance painter Piero della Francesca, depicts the duke Federigo da Montefeltro an his wife … [3]Federico is painted facing the left because that way he can look at his wife, suggesting they have a bond.[3]. It is believed that he commissioned this painting as a memorial of his wife after her death, hence that pale colour representing a death mask on her face. The skin color of the Duchess not only respects the aesthetic conventions which were fashionable during the Renaissance. Coordinates: 43°43′N 12°38′E / 43.717°N 12.633°E / 43.717; 12.633, Patria del Friuli (Patriarchate of Aquileia), https://en.wikipedia.org/w/index.php?title=Duchy_of_Urbino&oldid=990450987, States and territories established in 1443, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 November 2020, at 15:23. COVID-19 Emergency | Closing of Uffizi Galleries, Piero della Francesca (Sansepolcro, Arezzo, 1416/17 – 1492). The double portrait of the Dukes of Urbino, also known as the Diptych of Federico da Montefeltro and Battista Sforza is a diptych, oil on wood(47 × 33 cm each panel), with portraits of the Federico da Montefeltro and Battista Sforza. He also painted her as having a high forehead because that was the height of fashion at the time. ✓ Kauf auf Rechnung✓ Sepa-Lastschrift✓ Per Nachname (UPS)✓ Per Vorkasse. The skin color of the Duchess not only respects the aesthetic conventions which were fashionable during the Renaissance. Create a free website or blog at WordPress.com. Piero likely created this sense of luminosity using oil glazes indicative of the Flemish style.[7]. In the tradition of the fourteenth century, inspired by the design of ancient coins, the two figures are shown in profile, an angle that ensured a good likeness and a faithful representation of facial details without allowing their sentiments to show through: indeed, the Duke and Duchess of Urbino appear unaffected by turmoil and emotions. Verschenken Sie Kunst!Gutscheine sofort perE-Mail bei Ihnen.Jeder Betrag möglich. Separated by mortality into two panels, they are at the same time unfinished without one another. Hier erhalten Sie eine Übersicht unserer Filter für unsere Kunstdrucke, Leinwandbilder und Gemälde. Lords until 1213, counts thereafter until 1443, thereafter dukes. Chromolithograph from Hefner-Alteneck's 'Costumes, Artworks and Appliances from the Middle Ages to the 17th Century,' Frankfurt, 1889. It is the work of Piero della Francesca dated to about 1465 to 1472 and in Room 8 of the Uffizi Gallery in Florence. The Duke and Duchess of Urbino (1465-1467) Piero della Francesca, diptych – back side. It is a temperam… TrustedShops & Kauf auf Rechnung. Eleonora Gonzaga, Duchess of Urbino, 1543. The first lords of … Piero della Francesca was one of the most significant painters of the 15th century. ( Log Out /  The back of these portraits are painted with scenes of allegories of triumphs. This angle ensures "good likeness and a faithful representation of facial details without allowing their sentiments to show through. [4]It is a tempera made over wood. Arrange your visit in Florence, find prices and opening hours of the museum. From a painting by Titian in Florence. Horses pull Federico's triumphal car and Battista's is pulled by unicorns, which symbolize chastity and fidelity, respectively. Thus, they have a bird’s eye view over their sprawling domain, speaking not only to Urbino’s hilltop position, but also to the pair’s high status (Puchko, web). Melden Sie sich hier für unseren kostenlosen, wöchentlich erscheinenden Newsletter an und verpassen Sie kein Angebot mehr. The double portrait of the Dukes of Urbino, also known as the Diptych of Federico da Montefeltro and Battista Sforza is a diptych, oil on wood(47 × 33 cm each panel), with portraits of the Federico da Montefeltro and Battista Sforza. Year: 1465-1467. He also painted her as having a high forehead because that was the height of fashion at the time. This great artist also achieves the perfect representation of a Renaissance individual, with successfully capturing his rational, almost metaphysical style, who is aware oh his role in the universe, his potential, and the importance of his intelligence and culture. The couple are facing each other and the spatial element is suggested by the light and the continuity of the rolling landscape in the background, representing the area of the Marches over which the Duke and Duchess ruled. 1890 no. She wears the fashion of noble Italian women of the first half of the 16th century. On the back of the panels, the Duke and Duchess are featured being carried triumphantly on ancient wagons, accompanied by the Christian virtues; the Latin inscriptions pay tribute to the couple’s moral values. ( Log Out /  ( Log Out /  After the short rule by Cesare Borgia in 1502–08, the dukedom went to the della Rovere papal family, who held it until 1625, when Pope Urban VIII annexed it to the Papal States as Legazione del Ducato di Urbino (later Legazione di Urbino). 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